Issue 16 Winter 2016
Cover & Table of Contents.
With clay and acrylic paints on multiple panels, Terri Rolland uses repeated simple shapes—sometimes drawn, sometimes hard edged—to create a sense of fragility, impermanence, and subtle movement. Her work is inspired by the luminosity of the desert, cartoons, music, and Taoism. She is the recipient of a 2008 Gottlieb Foundation Grant and lives and works in Santa Fe, New Mexico.
Dane Cervine’s new poetry book is entitled Kung Fu of the Dark Father. Previous books include How Therapists Dance (2013) and The Jeweled Net of Indra (2007)—all from Plain View Press. His poems have won or been finalists for awards from Adrienne Rich, Tony Hoagland, Atlanta Review and Caesura, and been nominated for a Pushcart Prize. His work appears in a diverse range of publications, including the Sun, the Hudson Review, Poetry Flash, Catamaran Literary Reader, Sycamore Review, and Pedestal Magazine, anthologies, short film, animation, newspapers, and a fine press broadside of his poem “Clay Feet” by Middle Earth Editions.
Mónica Lavín lives in Mexico City. She is the prolific author of short stories and story collections, including Manual para enamorarse, 2012, from which “Handbook for Falling in Love” comes. Her novels include Yo, la peor, about Sor Juana Inés de la Cruz, which won the Elena Poniatowska Prize, 2010. Lavín has also won the Gilberto Owen National Prize for Literature, among other awards.
Caroline Goodwin moved to the San Francisco Bay Area from Sitka, Alaska, in 1999 to attend Stanford as a Wallace Stegner Fellow in poetry. Her books are Text Me, Ishmael (2012), Trapline (2013), Peregrine (2015), and The Paper Tree, forthcoming from Big Yes Press. She lives on the San Mateo coast with her two daughters and teaches at California College of the Arts and the Stanford Writer's Studio.